{"id":11707,"date":"2023-10-11T02:45:20","date_gmt":"2023-10-11T02:45:20","guid":{"rendered":"https:\/\/fass.nus.edu.sg\/elts\/?page_id=11707"},"modified":"2023-10-11T03:42:13","modified_gmt":"2023-10-11T03:42:13","slug":"wendy-lim-wee-hian","status":"publish","type":"page","link":"https:\/\/fass.nus.edu.sg\/elts\/wendy-lim-wee-hian\/","title":{"rendered":"Wendy LIM Wee Hian"},"content":{"rendered":"

\n\t\tWendy LIM Wee Hian\n\t<\/h2>\n\t

\"\"Since graduating from Lasalle College of the Arts with a BA (Hons) in Acting in 2013, Wendy has been working as a theatre practitioner and educator. She has also furthered her training in Toga Japan with Suzuki Company of Toga (2017), as well as the SITI Company\u2019s Summer Workshop (2018) in Saratoga Springs, New York.<\/p>\n

As an actor, she seeks to challenge the boundaries of physical training. Her recent works include Between You and Me (Nine Years Theatre), 3 Sisters (Nine Years & SITI Company), as well as Tanah Air (Dramabox).<\/p>\n

In her free time, she enjoys crocheting and playing games.<\/p>\n\t\n\n\n\n\n\n\n\n
Research Interests\/
\nPrimary Fields<\/td>\n		Actor training, movement, devising<\/td>\n<\/tr>\n
Dissertation Topic\/Title<\/td>\nThe Actor and Their Body: The case for the utility of the Suzuki Method of Actor Training as a foundational training practice in Singapore Theatre. (working title)<\/em><\/td>\n<\/tr>\n
Dissertation Advisor<\/td>\nAssistant Professor Maiya Murphy<\/td>\n<\/tr>\n
Recent Presentations<\/td>\n\n
    \n
  • Between You and Me ((Huayi Festival 2022) \u2013 Nine Years Theatre<\/li>\n
  • 3 Sisters (SIFA 2021) \u2013 Nine Years Theatre and SITI Company<\/li>\n
  • Tanah Air \u2013 Dramabox<\/li>\n
  • Chinatown Crossings \u2013 Drama Box<\/li>\n
  • Precise Purpose of Being Broken (M1 Fringe Festival 2019) \u2013 Koh Wanching<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
Practice<\/td>\n\n
    \n
  • Suzuki Method of Actor\u2019s Training<\/li>\n
  • Viewpoints<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
Other Experience and Information<\/td>\n\n