{"id":1346,"date":"2020-10-20T07:42:59","date_gmt":"2020-10-20T07:42:59","guid":{"rendered":"https:\/\/fass.nus.edu.sg\/mls\/?p=1346"},"modified":"2020-11-24T07:43:30","modified_gmt":"2020-11-24T07:43:30","slug":"negotiating-art-and-craft-in-the-malay-world-31-oct-sat","status":"publish","type":"post","link":"https:\/\/fass.nus.edu.sg\/mls\/2020\/10\/20\/negotiating-art-and-craft-in-the-malay-world-31-oct-sat\/","title":{"rendered":"Negotiating Art and Craft in the Malay World, 31 Oct, Sat"},"content":{"rendered":"<p><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/blog.nus.edu.sg\/mlsnews\/files\/2020\/10\/thumbnail_image001.png\" \/><\/p>\n<p class=\"x_MsoNormal\"><b>A look into the works of two Singaporean artists, their art practices and how they negotiated and at times, resisted categorisations.<\/b><\/p>\n<p><strong>About the Speaker<\/strong><\/p>\n<p>Syed Muhammad Hafiz is an independent curator whose research and writing interests include the visual art histories of the Malay archipelago. He has curated exhibitions for museums, commercial galleries and independent art spaces over the past decade. He is currently a PhD candidate at the Malay Studies Department, National University Singapore.<\/p>\n<p>Register\u00a0<a href=\"http:\/\/go.gov.sg\/MalayWorld\">here<\/a>!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A look into the works of two Singaporean artists, their art practices and how they negotiated and at times, resisted categorisations. About the Speaker Syed Muhammad Hafiz is an independent curator whose research and writing interests include the visual art histories of the Malay archipelago. He has curated exhibitions for museums, commercial galleries and independent [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[19],"tags":[],"class_list":["post-1346","post","type-post","status-publish","format-standard","hentry","category-department-events"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Negotiating Art and Craft in the Malay World, 31 Oct, Sat - Department of Malay Studies<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fass.nus.edu.sg\/mls\/2020\/10\/20\/negotiating-art-and-craft-in-the-malay-world-31-oct-sat\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Negotiating Art and Craft in the Malay World, 31 Oct, Sat - Department of Malay Studies\" \/>\n<meta property=\"og:description\" content=\"A look into the works of two Singaporean artists, their art practices and how they negotiated and at times, resisted categorisations. 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