{"id":16735,"date":"2012-12-21T00:00:00","date_gmt":"2012-12-20T16:00:00","guid":{"rendered":"https:\/\/fass.nus.edu.sg\/srn\/2012\/12\/21\/making-her-work-count\/"},"modified":"2021-01-27T14:51:24","modified_gmt":"2021-01-27T06:51:24","slug":"making-her-work-count","status":"publish","type":"post","link":"https:\/\/fass.nus.edu.sg\/srn\/2012\/12\/21\/making-her-work-count\/","title":{"rendered":"Making her work count"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-16736 alignleft\" src=\"https:\/\/fass.nus.edu.sg\/srn\/wp-content\/uploads\/sites\/15\/2020\/08\/intro_to_malay_theatre_250x220.jpg\" alt=\"\" width=\"400\" height=\"352\" \/><\/p>\n<p>Zizi Azah wants her plays to reflect issues that knit people across social and racial divides. Having graduated from NUS with a major in Philosophy and Sociology, her first professional foray into lighting design was with Ekamatra, for Sigelap: The Musical in 2000, at Jubilee Hall. She believes in focusing on the big picture and never rests on her laurels.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Zizi Azah wants her plays to reflect issues that knit people across social and racial divides. Having graduated from NUS with a major in Philosophy and Sociology, her first professional foray into lighting design was with Ekamatra, for Sigelap: The Musical in 2000, at Jubilee Hall. She believes in focusing on the big picture and [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":16736,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"rs_blank_template":"","rs_page_bg_color":"#ffffff","slide_template_v7":"","site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4529],"tags":[],"class_list":["post-16735","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Making her work count - Singapore Research Nexus<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fass.nus.edu.sg\/srn\/2012\/12\/21\/making-her-work-count\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Making her work count - Singapore Research Nexus\" \/>\n<meta property=\"og:description\" content=\"Zizi Azah wants her plays to reflect issues that knit people across social and racial divides. Having graduated from NUS with a major in Philosophy and Sociology, her first professional foray into lighting design was with Ekamatra, for Sigelap: The Musical in 2000, at Jubilee Hall. She believes in focusing on the big picture and [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/fass.nus.edu.sg\/srn\/2012\/12\/21\/making-her-work-count\/\" \/>\n<meta property=\"og:site_name\" content=\"Singapore Research Nexus\" \/>\n<meta property=\"article:published_time\" content=\"2012-12-20T16:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-01-27T06:51:24+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/fass.nus.edu.sg\/srn\/wp-content\/uploads\/sites\/15\/2020\/08\/intro_to_malay_theatre_250x220.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"250\" \/>\n\t<meta property=\"og:image:height\" content=\"220\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Fang Yih\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Fang Yih\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/fass.nus.edu.sg\\\/srn\\\/2012\\\/12\\\/21\\\/making-her-work-count\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/fass.nus.edu.sg\\\/srn\\\/2012\\\/12\\\/21\\\/making-her-work-count\\\/\"},\"author\":{\"name\":\"Fang Yih\",\"@id\":\"https:\\\/\\\/fass.nus.edu.sg\\\/srn\\\/#\\\/schema\\\/person\\\/b55fc8f28e8b484febc676f64be43080\"},\"headline\":\"Making her work count\",\"datePublished\":\"2012-12-20T16:00:00+00:00\",\"dateModified\":\"2021-01-27T06:51:24+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/fass.nus.edu.sg\\\/srn\\\/2012\\\/12\\\/21\\\/making-her-work-count\\\/\"},\"wordCount\":63,\"publisher\":{\"@id\":\"https:\\\/\\\/fass.nus.edu.sg\\\/srn\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/fass.nus.edu.sg\\\/srn\\\/2012\\\/12\\\/21\\\/making-her-work-count\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/fass.nus.edu.sg\\\/srn\\\/wp-content\\\/uploads\\\/sites\\\/15\\\/2020\\\/08\\\/intro_to_malay_theatre_250x220.jpg\",\"articleSection\":[\"News\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/fass.nus.edu.sg\\\/srn\\\/2012\\\/12\\\/21\\\/making-her-work-count\\\/\",\"url\":\"https:\\\/\\\/fass.nus.edu.sg\\\/srn\\\/2012\\\/12\\\/21\\\/making-her-work-count\\\/\",\"name\":\"Making her work count - 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