{"id":17312,"date":"2016-11-29T00:00:00","date_gmt":"2016-11-28T16:00:00","guid":{"rendered":"https:\/\/fass.nus.edu.sg\/srn\/2016\/11\/29\/counterperformance-the-heartland-and-other-spaces-in-eating-air-and-15\/"},"modified":"2021-02-01T17:52:57","modified_gmt":"2021-02-01T09:52:57","slug":"counterperformance-the-heartland-and-other-spaces-in-eating-air-and-15","status":"publish","type":"post","link":"https:\/\/fass.nus.edu.sg\/srn\/2016\/11\/29\/counterperformance-the-heartland-and-other-spaces-in-eating-air-and-15\/","title":{"rendered":"Counterperformance: The Heartland and Other Spaces in Eating Air and 15"},"content":{"rendered":"<div class=\"mceTemp\"><\/div>\n<figure id=\"attachment_17313\" aria-describedby=\"caption-attachment-17313\" style=\"width: 1024px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-17313\" src=\"https:\/\/fass.nus.edu.sg\/srn\/wp-content\/uploads\/sites\/15\/2020\/08\/counter-1024x577.jpg\" alt=\"\" width=\"1024\" height=\"577\" srcset=\"https:\/\/fass.nus.edu.sg\/srn\/wp-content\/uploads\/sites\/15\/2020\/08\/counter-1024x577.jpg 1024w, https:\/\/fass.nus.edu.sg\/srn\/wp-content\/uploads\/sites\/15\/2020\/08\/counter-300x169.jpg 300w, https:\/\/fass.nus.edu.sg\/srn\/wp-content\/uploads\/sites\/15\/2020\/08\/counter-768x433.jpg 768w, https:\/\/fass.nus.edu.sg\/srn\/wp-content\/uploads\/sites\/15\/2020\/08\/counter-1536x866.jpg 1536w, https:\/\/fass.nus.edu.sg\/srn\/wp-content\/uploads\/sites\/15\/2020\/08\/counter.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption id=\"caption-attachment-17313\" class=\"wp-caption-text\">&#8220;Dinnertime In The Heartland&#8221; from SRN&#8217;s SG Photobank<\/figcaption><\/figure>\n<p>Dr Edna Lim (NUS Dept of English Language &amp; Literature) analyses two local films titled &#8216;Counterperformance: The Heartland and Other Spaces in Eating Air and 15&#8217;. The heartlands arose out of Singapore\u2019s urban development plans in the 1960s, which were aimed at developing public housing estates to foster social cohesion and communal living, and serve as a cornerstone of the country\u2019s progress. Dr Lim explores the performance of Singapore\u2019s &#8216;hear<span class=\"text_exposed_show\">tland&#8217; in Kelvin Tong and Jasmine Ng\u2019s Eating Air (1999) and Royston Tan\u2019s 15 (2013). She shows how both films reject performing the heartland as a welcoming, inclusive and familial space, and counterperform the heartlands as a fragmented space associated with alienation, difficulty and sadness. Eating Air depicts the heartland as having no space for its main character, Boy, and his friends, who inhabit instead marginalised and empty spaces such as the rooftops of HDB flats and abandoned construction sites. Similarly, 15 counterperforms the heartland as a cold, futile place of lost innocence and private pain, focusing on the sense of entrapment felt by juvenile delinquents as they experience heartland spaces.<\/span><\/p>\n<div class=\"text_exposed_show\">\n<p>By presenting a counterposition and different reality, both films demonstrate how state representations of national identity are neither unified nor homogeneous. Additionally, Dr Lim reveals the performative aspect of national identity, where neither the state\u2019s performance nor cinema\u2019s counterperformance can fully address, depict or represent the nation. Dr Lim\u2019s essay is published in the book Asian Cinema and the Use of Space.<\/p>\n<p>Find out more about the book <a href=\"http:\/\/www.tandfebooks.com\/isbn\/9781315885575\">here<\/a>.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Dr Edna Lim (NUS Dept of English Language &amp; Literature) analyses two local films titled &#8216;Counterperformance: The Heartland and Other Spaces in Eating Air and 15&#8217;. The heartlands arose out of Singapore\u2019s urban development plans in the 1960s, which were aimed at developing public housing estates to foster social cohesion and communal living, and serve [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":17313,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4529],"tags":[],"class_list":["post-17312","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Counterperformance: The Heartland and Other Spaces in Eating Air and 15 - Singapore Research Nexus<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fass.nus.edu.sg\/srn\/2016\/11\/29\/counterperformance-the-heartland-and-other-spaces-in-eating-air-and-15\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Counterperformance: The Heartland and Other Spaces in Eating Air and 15 - Singapore Research Nexus\" \/>\n<meta property=\"og:description\" content=\"Dr Edna Lim (NUS Dept of English Language &amp; Literature) analyses two local films titled &#8216;Counterperformance: The Heartland and Other Spaces in Eating Air and 15&#8217;. 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