{"id":34826,"date":"2025-05-22T12:34:50","date_gmt":"2025-05-22T04:34:50","guid":{"rendered":"https:\/\/fass.nus.edu.sg\/srn\/?p=34826"},"modified":"2025-05-13T14:04:08","modified_gmt":"2025-05-13T06:04:08","slug":"afterlives","status":"publish","type":"post","link":"https:\/\/fass.nus.edu.sg\/srn\/2025\/05\/22\/afterlives\/","title":{"rendered":"Afterlives"},"content":{"rendered":"<p><span data-contrast=\"none\">Nestled along South Bridge Road in Singapore\u2019s bustling Chinatown, the Sri Mariamman Temple stands out as a vivid landmark, in bold contrast to its urban surroundings. With its towering gopuram (the ornate entrance tower) lavishly adorned with intricately sculpted deities, demons, and celestial beings painted in jewel-toned crimson, emeralds, and golds, the temple commands both reverence and attention. Encircling the temple complex, sculptures of cows line the boundary walls around the compound. The Sri Mariamman Temple is an example of how devotional images continue to shape cultural life, not only as objects of worship but as anchors of identity and continuity for diasporic communities.\u202f<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">In the final chapter, of <\/span><i><span data-contrast=\"none\">Ancient India: Living Traditions<\/span><\/i><span data-contrast=\"none\"> (The British Museum, 2025), titled<\/span> \u2018Afterlives\u2019, <span data-contrast=\"none\">Dr Sureshkumar Muthukumaran (NUS History) and Dr Sushma Jansari (Tabor Foundation Curator of South Asia Collections, The British Museum)<\/span><span data-contrast=\"none\"> explore the enduring legacy of ancient religious imagery. Such images, across Hinduism, Buddhism, and Jainism, transcend their origins to become living inheritances, carried across borders and generations. In places like the UK and Singapore, they invoke a sense of permanence and spiritual familiarity, reinforcing the ties between migrant communities and their regions of origin through ritual, memory, and visual presence.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Religious imagery has evolved to suit the needs of each new age. Iconographic forms, once traditional, have been repurposed and expanded for an ever-growing pantheon of deities and divine figures. Indian-derived iconographies have been incorporated into non-devotional contexts, particularly in popular culture, such as in Japanese manga artist Nakamura Hikaru\u2019s Seinto Oniisan (Saint Young Men), which features the Buddha and Jesus in modern clothing. However, the appropriation of ancient religious icons in commercial or non-religious contexts is not always well-received. In Thailand, the commercial use of Buddhist images is strongly disparaged by many. In contrast, the depiction of Hindu god Ga\u1e47e\u015ba is more widely accepted in non-devotional contexts, as his playful and light-hearted nature has long been a hallmark of his ancient representations.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">It is common to see Hindus, Buddhists, and Jains worship or show obeisance to each other\u2019s religious spaces. This fluidity of identity is reflected in places such as the Erawan Shrine in Bangkok, which houses an image of the four-faced Phra Phrom (Brahm\u0101). In Singapore, a temple dedicated to K\u1e5b\u1e63\u1e47a houses an image of Avalokite\u015bvara (Chinese: Guanyin), while the Chinese Buddhist temple on the same street is dedicated Avalokite\u015bvara. In this regard, devotional images transcend strict religious boundaries and show the interconnectedness of religious traditions in global contexts. <\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Ultimately, the spread and adaptation of religious images have been deeply influenced by colonialism and post-colonial migration. Migrants bring their region-specific beliefs and devotional icons with them, establishing new temples and devotional art as a means to maintain their cultural identity and reinforce connections to their homelands. This enduring connection to their regions of origin highlights the importance of religious imagery in preserving cultural continuity, and sustaining community ties, particularly in diasporic contexts.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Order <\/span><i><span data-contrast=\"none\">Ancient India: Living Traditions<\/span><\/i> <a href=\"https:\/\/www.britishmuseumshoponline.org\/ancient-india-living-traditions.html?srsltid=AfmBOopsOqmOeVSLGxKCQSP78rgeD7PuVf7sMHQnoYlFf4wT3ek-lxRq\"><span data-contrast=\"none\">here<\/span><\/a><span data-contrast=\"none\">.\u202f<\/span><span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;335559738&quot;:0,&quot;335559739&quot;:0}\">\u00a0<\/span><\/p>\n<p><i><span data-contrast=\"none\">Ancient India: Living Traditions<\/span><\/i><span data-contrast=\"none\"> is the official hardback companion to The British Museum\u2019s major summer exhibition, exploring the rich religious and artistic traditions of ancient India and their global influence. Find out more about the exhibition <\/span><a href=\"https:\/\/www.britishmuseum.org\/about-us\/press\/press-releases\/announcing-ancient-india-living-traditions-exhibition\"><span data-contrast=\"none\">here<\/span><\/a><span data-contrast=\"none\">.\u202f<\/span><span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;335559738&quot;:0,&quot;335559739&quot;:0}\">\u00a0<\/span><\/p>\n<figure id=\"attachment_34827\" aria-describedby=\"caption-attachment-34827\" style=\"width: 2560px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-34827\" src=\"https:\/\/fass.nus.edu.sg\/srn\/wp-content\/uploads\/sites\/15\/2025\/05\/IMG_1616-scaled-1-e1746401947628.jpg\" alt=\"\" width=\"2560\" height=\"1442\" srcset=\"https:\/\/fass.nus.edu.sg\/srn\/wp-content\/uploads\/sites\/15\/2025\/05\/IMG_1616-scaled-1-e1746401947628.jpg 2560w, https:\/\/fass.nus.edu.sg\/srn\/wp-content\/uploads\/sites\/15\/2025\/05\/IMG_1616-scaled-1-e1746401947628-300x169.jpg 300w, https:\/\/fass.nus.edu.sg\/srn\/wp-content\/uploads\/sites\/15\/2025\/05\/IMG_1616-scaled-1-e1746401947628-1024x577.jpg 1024w, https:\/\/fass.nus.edu.sg\/srn\/wp-content\/uploads\/sites\/15\/2025\/05\/IMG_1616-scaled-1-e1746401947628-768x433.jpg 768w, https:\/\/fass.nus.edu.sg\/srn\/wp-content\/uploads\/sites\/15\/2025\/05\/IMG_1616-scaled-1-e1746401947628-1536x865.jpg 1536w, https:\/\/fass.nus.edu.sg\/srn\/wp-content\/uploads\/sites\/15\/2025\/05\/IMG_1616-scaled-1-e1746401947628-2048x1154.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><figcaption id=\"caption-attachment-34827\" class=\"wp-caption-text\">Photo: \u2018Front entrance of Sri Mariamman Temple\u2019 by Kelman Chiang, from SRN\u2019s SG Photobank<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Nestled along South Bridge Road in Singapore\u2019s bustling Chinatown, the Sri Mariamman Temple stands out as a vivid landmark, in bold contrast to its urban surroundings. With its towering gopuram (the ornate entrance tower) lavishly adorned with intricately sculpted deities, demons, and celestial beings painted in jewel-toned crimson, emeralds, and golds, the temple commands both [&hellip;]<\/p>\n","protected":false},"author":311,"featured_media":34827,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4538,4529,4606,4609,4604],"tags":[],"class_list":["post-34826","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-history","category-news","category-research","category-singapore-research-nexus","category-visible"],"acf":[],"_links":{"self":[{"href":"https:\/\/fass.nus.edu.sg\/srn\/wp-json\/wp\/v2\/posts\/34826","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fass.nus.edu.sg\/srn\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fass.nus.edu.sg\/srn\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fass.nus.edu.sg\/srn\/wp-json\/wp\/v2\/users\/311"}],"replies":[{"embeddable":true,"href":"https:\/\/fass.nus.edu.sg\/srn\/wp-json\/wp\/v2\/comments?post=34826"}],"version-history":[{"count":3,"href":"https:\/\/fass.nus.edu.sg\/srn\/wp-json\/wp\/v2\/posts\/34826\/revisions"}],"predecessor-version":[{"id":34855,"href":"https:\/\/fass.nus.edu.sg\/srn\/wp-json\/wp\/v2\/posts\/34826\/revisions\/34855"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fass.nus.edu.sg\/srn\/wp-json\/wp\/v2\/media\/34827"}],"wp:attachment":[{"href":"https:\/\/fass.nus.edu.sg\/srn\/wp-json\/wp\/v2\/media?parent=34826"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fass.nus.edu.sg\/srn\/wp-json\/wp\/v2\/categories?post=34826"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fass.nus.edu.sg\/srn\/wp-json\/wp\/v2\/tags?post=34826"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}