{"id":269,"date":"2020-06-18T09:33:35","date_gmt":"2020-06-18T09:33:35","guid":{"rendered":"https:\/\/fass.nus.edu.sg\/wbsrc\/?page_id=269"},"modified":"2026-03-24T12:58:56","modified_gmt":"2026-03-24T04:58:56","slug":"print-culture-and-popular-culture-research-group","status":"publish","type":"page","link":"https:\/\/fass.nus.edu.sg\/wbsrc\/print-culture-and-popular-culture-research-group\/","title":{"rendered":"Print Culture and Popular Culture Research Group"},"content":{"rendered":"\n<h2>\n\t\t\tPrint Culture and Popular Culture Research Group\t<\/h2>\n\t\t\t\t<img decoding=\"async\" src=\"https:\/\/fass.nus.edu.sg\/wbsrc\/wp-content\/uploads\/sites\/22\/2020\/06\/WBS_picture-scaled.jpg\" alt=\"Brochure Final 1\" itemprop=\"image\" height=\"1096\" width=\"2560\" title=\"Brochure Final 1\" onerror=\"this.style.display='none'\" loading=\"lazy\" \/>\n<h3  id=\"overview\">\n\t\t\tIntroduction\t<\/h3>\n\t<p>The research group &#8220;Print Culture and Popular Culture&#8221; aims at stimulating discussion and research on the popular and material dimensions of culture, broadly perceived, in the Chinese-speaking world, from late imperial times to the contemporary era.<\/p>\n<p>Inspired by both theoretical discussions and a growing international research output over the past two decades, interest in the intellectual trajectory of the Sinophone world has gradually shifted to include print culture, cinema, modern and traditional popular forms, visual and audio culture, pulp fiction, and everyday culture. This conceptual opening has led to an explosion of source materials considered legitimate and relevant for research, as well as a profusion of methodologies and approaches of inquiry. With its deliberately broad theme, the research group &#8220;Print Culture and Popular Culture&#8221; takes into account these developments; stressing inclusiveness, it defines itself as cross-disciplinary, cross-regional, and crossing traditional periodizations. Cutting across boundaries in space, time, and discipline, the group welcomes scholars and students from the fields of history, literature, theatre, cinema studies, art history, and other related disciplines, working on the Chinese speaking areas from the far Northeast (one-time Manchuria) to South-East Asia, from Beijing and Shanghai to Hong Kong and Taipei; we embrace work covering late imperial, modern and contemporary times, thus consciously trying to overcome the bifurcation between the modern and pre-modern eras.<\/p>\n<h3  id=\"projects\">\n\t\t\tResearch Areas\t<\/h3>\n\t<p>The research group &#8220;Print Culture and Popular Culture&#8221; focuses on a number of core themes, including:<\/p>\n<ul>\n<li>Printing, press, and public sphere<\/li>\n<li>Cinema, visual and audio culture<\/li>\n<li>Education and dissemination of culture<\/li>\n<li>Cultural production and cultural consumption<\/li>\n<li>Travel and voyages of cultural products and ideas<\/li>\n<\/ul>\n<p>What is the significance of printing and the press for the cultural trajectory of the Sinophone world? How do elite culture and popular cultural forms intersect in the audio-visual fields, and what are the implications of such a perspective for our understanding of the concept of culture itself? How can textbooks, assigned reading, and teaching patterns affect the formation and transmission of cultural values? What is the role of producers &#8211; writers, editors, directors, printers, booksellers, distribution companies &#8211; on the one hand, and audiences &#8211; readers, viewers, buyers, netizens &#8211; on the other, in the development of cultural expressions at different times in different places? How does the increasing physical mobility of both creative artists and their audiences, and their sometimes long sojourns in alien places, affect the nature of the cultural products themselves?<\/p>\n<p>The research group &#8220;Print Culture and Popular Culture&#8221; tries to stimulate research on these and other questions that may arise in the course of our discussions. While we do not want to come up with definite conclusions on any of the above topics, we hope to raise awareness of these and other problems, and thus to encourage thinking in broader categories and more sophisticated research efforts.<\/p>\n<h3  id=\"members\">\n\t\t\tPeople\t<\/h3>\n<h5  id=\"members\">\n\t\t\tCORE MEMBERS:\t<\/h5>\n\t<table>\n<thead>\n<tr>\n<th width=\"20%\">Name<\/th>\n<th>\u59d3\u540d<\/th>\n<th>Research Area\/\u7814\u7a76\u8bfe\u9898<\/th>\n\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td>A\/P XU Lanjun<br \/>\n(Convener)<\/td>\n<td>\u5f90\u5170\u541b\u526f\u6559\u6388<br \/>\n\uff08\u53ec\u96c6\u4eba\uff09<\/td>\n<td>Modern Chinese Literature \/ Film; Chinese Youth and Children; Cultural Transnationalism and Chinese Cold War Cultures in Southeast Asia<\/td>\n\n<\/tr>\n<tr>\n<td>Dr CHAN Cheow Thia<\/td>\n<td>\u66fe\u662d\u7a0b\u52a9\u7406\u6559\u6388<\/td>\n<td>Singapore and Malaysian Chinese Literature; Modern Chinese Literature<\/td>\n\n<\/tr>\n<tr>\n<td>Dr DU Lin<\/td>\n<td>\u675c\u6797\u52a9\u7406\u6559\u6388<\/td>\n\n\n<\/tr>\n<tr>\n<td>Dr TU Hang<\/td>\n<td>\u6d82\u822a\u52a9\u7406\u6559\u6388<\/td>\n<td>Modern Chinese Literature, Culture, and Media; Affect Theory<\/td>\n\n<\/tr>\n<\/tbody>\n<\/table>\n<h5  id=\"members\">\n\t\t\tMEMBERS:\t<\/h5>\n\t<table>\n<thead>\n<tr>\n<th width=\"20%\">Name<\/th>\n<th>\u59d3\u540d<\/th>\n<th>Research Area\/\u7814\u7a76\u8bfe\u9898<\/th>\n\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td>Prof ONG Chang Woei<\/td>\n<td>\u738b\u660c\u4f1f\u6559\u6388<\/td>\n<td>Intellectual History; Chinese Local History; Women in Chinese History<\/td>\n\n<\/tr>\n<tr>\n<td>Prof WONG Sin Kiong<\/td>\n<td>\u9ec4\u8d24\u5f3a\u6559\u6388<\/td>\n<td>Nanyang Chinese in Modern Chinese History; Political Culture in Modern China<\/td>\n\n<\/tr>\n<tr>\n<td>A\/P KOH Khee Heong<\/td>\n<td>\u8bb8\u9f50\u96c4\u526f\u6559\u6388<\/td>\n<td>Ming-Qing Intellectual History; State-Society Relations in Late Imperial China<\/td>\n\n<\/tr>\n<tr>\n<td>A\/P LAM Lap<\/td>\n<td>\u6797\u7acb\u526f\u6559\u6388<\/td>\n<td>Popular Culture Theory and Popular Culture in Late Imperial China<\/td>\n\n<\/tr>\n<tr>\n<td>Dr CHAN Ying-kit<\/td>\n<td>\u9648\u82f1\u6770\u52a9\u7406\u6559\u6388<\/td>\n<td>Women in Qing China; Southeast Asian Studies; Animal Studies; History of Science in late Qing and early Republican China<\/td>\n\n<\/tr>\n<tr>\n<td>Dr Liu Chen<\/td>\n<td>\u5289\u6668\u52a9\u7406\u6559\u6388<\/td>\n\n\n<\/tr>\n<tr>\n<td>Dr Ji Yueling<\/td>\n<td>\u5180\u60a6\u73b2\u535a\u58eb<\/td>\n\n\n<\/tr>\n<tr>\n<td>Dr Zhao Xinyi<\/td>\n<td>\u8d75\u5fc3\u6021\u535a\u58eb<\/td>\n\n\n<\/tr>\n<\/tbody>\n<\/table>\n<h5  id=\"members\">\n\t\t\tSTUDENT MEMBERS: PH.D. STUDENTS:\t<\/h5>\n\t<table>\n<thead>\n<tr>\n<th>Name<\/th>\n<th>\u59d3\u540d<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td width=\"109\">Goh Song Wei<\/td>\n<td width=\"66\">\u5434\u677e\u851a<\/td>\n<\/tr>\n<tr>\n<td>Ho Hill Tone Bauhinia<\/td>\n<td>\u4f55\u66c9\u77b3<\/td>\n<\/tr>\n<tr>\n<td>Hung Wai Yu<\/td>\n<td>\u5b54\u60e0\u745c<\/td>\n<\/tr>\n<tr>\n<td>Klan Choo Juhn Khai<\/td>\n<td>\u6731\u4fca\u51ef<\/td>\n<\/tr>\n<tr>\n<td>Li Jiaxuan<\/td>\n<td>\u674e\u4f73\u7487<\/td>\n<\/tr>\n<tr>\n<td>Liao Yiran (Student Coordinator)<\/td>\n<td>\u5ed6\u4f9d\u7136\uff08\u5b66\u751f\u534f\u8c03\u5458\uff09<\/td>\n<\/tr>\n<tr>\n<td>Wang Xinran<\/td>\n<td>\u738b\u6b23\u7136<\/td>\n<\/tr>\n<tr>\n<td>Xia Peigen<\/td>\n<td>\u590f\u57f9\u6839<\/td>\n<\/tr>\n<tr>\n<td>Zhang Yuhan<\/td>\n<td>\u5f20\u5b87\u6db5<\/td>\n<\/tr>\n<tr>\n<td>Hu Binbin<\/td>\n<td>\u80e1\u5f6c\u5f6c<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h5  id=\"members\">\n\t\t\tM.A. STUDENTS:\t<\/h5>\n\t<table>\n<thead>\n<tr>\n<th>Name<\/th>\n<th>\u59d3\u540d<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td width=\"109\">Huang Yuqing<\/td>\n<td width=\"66\">\u9ec4\u96e8\u6674<\/td>\n<\/tr>\n<tr>\n<td>Khor Yi Heng<\/td>\n<td>\u8a31\u9824\u8605<\/td>\n<\/tr>\n<tr>\n<td>Li Jianing<\/td>\n<td>\u674e\u4f73\u51dd<\/td>\n<\/tr>\n<tr>\n<td>Li Junhao<\/td>\n<td>\u674e\u541b\u8c6a<\/td>\n<\/tr>\n<tr>\n<td>Li Wenjun<\/td>\n<td>\u674e\u6587\u541b<\/td>\n<\/tr>\n<tr>\n<td>Tu Haowen<\/td>\n<td>\u51c3\u7693\u6587<\/td>\n<\/tr>\n<tr>\n<td>Yu Wing Sze<\/td>\n<td>\u4f59\u548f\u8bd7<\/td>\n<\/tr>\n<tr>\n<td>Zhang Yingyin<\/td>\n<td>\u5f20\u9896\u8335<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h5  id=\"members\">\n\t\t\tFRIENDS OF THE RESEARCH CLUSTER:\t<\/h5>\n\t<table>\n<thead>\n<tr>\n<th width=\"20%\">Name<\/th>\n<th>\u59d3\u540d<\/th>\n<th>Research Area\/\u7814\u7a76\u8bfe\u9898<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td>Emeritus Professor Yung Saishing<\/td>\n<td>\u5bb9\u4e16\u8bda\u8363\u8a89\u6559\u6388<\/td>\n<td>Premodern and Modern Chinese Print Culture; Film; Audio Culture; Drama<\/td>\n<\/tr>\n<tr>\n<td>Dr Yap Soo Ei<\/td>\n<td>\u53f6\u8212\u745c\u535a\u58eb<\/td>\n\n<\/tr>\n<tr>\n<td>Mr Su Zhangkai<\/td>\n<td>\u82cf\u7ae0\u607a\u5148\u751f<\/td>\n\n<\/tr>\n<\/tbody>\n<\/table>\n<h3  id=\"events\">\n\t\t\tEvents and Activities\t<\/h3>\n\t<table>\n<thead>\n<tr>\n<th>Date<\/th>\n<th>Event<\/th>\n<th>Speaker<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td>05 Feb 2026<\/td>\n<td>Narrative, Cognition, Computation: New Approaches to Chinese Literature and Periodical Studies<\/td>\n<td>Dr Maciej Kurzynski, Lingnan University<\/td>\n<\/tr>\n<tr>\n<td>30 Jan 2026<\/td>\n<td>\u53d1\u73b0\u4e2d\u56fd\u7684\u98ce\u666f&#8211;\u4ee5\u90c1\u8fbe\u592b\u3001\u5f20\u7231\u73b2\u3001\u674e\u5a1f\u4e3a\u4e2d\u5fc3<\/td>\n<td>\u5434\u6653\u4e1c\u6559\u6388\uff0c\u5317\u4eac\u5927\u5b66<br \/>\nProf Wu Xiaodong, Peking University<\/td>\n<\/tr>\n<tr>\n<td>06 Nov 2025<\/td>\n<td>\u4f55\u4e3a&#8221;\u6587\u5316\u9769\u547d&#8221;\uff1f&#8211;\u6587\u5316\u5927\u9769\u547d\u8d77\u6e90\u4e0e\u53d1\u52a8\u518d\u63a2<br \/>\n\uff08Co-organised with China and the Modern World Research Group\uff09<\/td>\n<td>A\/P Wu Yiching \u5434\u4e00\u5e86, University of Toronto<\/td>\n<\/tr>\n<tr>\n<td>27 Aug 2025<\/td>\n<td>\u7b51\u6c99\u6210\u56fd\u4e0e\u5730\u4e0a\u4e4b\u6d77\uff1a\u5f53\u4ee3\u65b0\u52a0\u5761\u6587\u827a\u4e2d\u7684\u56fd\u5bb6\u53d1\u5c55\u5bd3\u8a00<\/td>\n<td>Dr Lin Zhenlan, Xiamen University<\/td>\n<\/tr>\n<tr>\n<td>13 Aug 2025<\/td>\n<td>Fictitious Computing: Data Processing, Economic Modelling, and the Matrices of Cinema in 1950s-70s Taiwan<br \/>\n(Co-organized with China in the Modern World Research Group)<\/td>\n<td>A\/P Ma Shao-ling, Cornell University<\/td>\n<\/tr>\n<tr>\n<td>11 Apr 2025<\/td>\n<td>\u5bf9\u4e8e\u300c\u6c11\u95f4\u620f\u66f2\u300d\u6982\u5ff5\u7684\u518d\u53cd\u601d&#8211;\u4ece\u65b0\u52a0\u5761\u56fd\u5927\u56fe\u4e66\u9986\u6240\u85cf\u5174\u5316\u6728\u5076\u620f\u6284\u672c\u8c08\u8d77<br \/>\n\uff08\u4e0e\u4e2d\u56fd\u53e4\u5178\u6587\u5b66\u4e0e\u601d\u60f3\u7814\u7a76\u7fa4\u8054\u529e\uff09<\/td>\n<td>\u6797\u4f73\u5100\u526f\u6559\u6388\uff0c\u570b\u7acb\u6e05\u83ef\u5927\u5b78\u83ef\u6587\u6587\u5b78\u7814\u7a76\u6240<br \/>\nA\/P Lin Chia-yi, National Tsing Hua University<\/td>\n<\/tr>\n<tr>\n<td>13 Mar 2025<\/td>\n<td>\u5e1d\u56fd\u4e4b\u5fc3\uff1f\u8d62\u5f97\u6c11\u5fc3\uff1f &#8211;\u9a6c\u6765\uff08\u897f\uff09\u4e9a\u534e\u4eba\u65b0\u6751\u4e2a\u6848\uff081948-1960\u5e74\uff09<br \/>\nWinning Hearts and Minds &#8211; Everyday Life in Malaya&#8217;s New Villages (1948-1960), with a Focus on Chinese Popular Cultures<\/td>\n<td>\u9648\u4e01\u8f89\u535a\u58eb\uff0c\u65b0\u52a0\u5761\u4e2d\u534e\u603b\u5546\u4f1a<br \/>\nDr Tan Teng Phee, Singapore Chinese Chamber of Commerce &amp; Industry<\/td>\n<\/tr>\n<tr>\n<td>17 Jan 2025<\/td>\n<td>Cinema Paradiso &#8211; A History\u00a0of Singapore Old Cinemas from 1986 to 2000<\/td>\n<td>Mr Wong Han Ming, Independent collector and researcher<\/td>\n<\/tr>\n<tr>\n<td>08 Nov 2024<\/td>\n<td>\u501f\u9280\u71c8\uff1a\u5f35\u611b\u73b2\u5287\u4f5c\u7684\u85dd\u6587\u7cfb\u8b5c\u8207\u5f71\u50cf\u8f49\u8b6f<\/td>\n<td>\u8d99\u5bb6\u7426\u526f\u6559\u6388, \u570b\u7acb\u4e2d\u8208\u5927\u5b78\u4e2d\u570b\u6587\u5b78\u7cfb<br \/>\nA\/P Chao Chia-chi, National Chung Hsing University<\/td>\n<\/tr>\n<tr>\n<td>06 Nov 2024<\/td>\n<td>\u8d70\u51fa\u6570\u5b57\u95fa\u9601\uff1a\u534e\u8bed\u7f51\u7edc\u7a7a\u95f4\u7684\u5973\u6027\u8bd7\u8bcd<br \/>\nOut of the Digital Boudoir: Reinventing the Female Voice in the Sinophone Cyberspace<br \/>\n(Co-organized with Classical Chinese Literature and Thought Research Group)<\/td>\n<td>\u6768\u6cbb\u5b9c\u6559\u6388, \u6cd5\u5170\u514b\u798f\u5927\u5b66\u6c49\u5b66\u7cfb<br \/>\nProf Zhiyi Yang, Goethe University Frankfurt<\/td>\n<\/tr>\n<tr>\n<td>29 Oct 2024<\/td>\n<td>Cinematic Guerrillas: Propaganda, Projectionists, and Audiences in Socialist China<\/td>\n<td>Prof Li Jie, Harvard University<\/td>\n<\/tr>\n<tr>\n<td>06 Mar 2024<\/td>\n<td>\u732b\u817b\u548c\u4e2d\u56fd\u7f51\u7edc\u6587\u5b66<\/td>\n<td>\u90b5\u71d5\u541b\u6559\u6388, \u5317\u4eac\u5927\u5b66\u4e2d\u6587\u7cfb<br \/>\nProf Shao Yanjun, Peking University<\/td>\n<\/tr>\n<tr>\n<td>01 Mar 2024<\/td>\n<td>\u8427\u7ea2\u3001\u6587\u5b66\u5212\u754c\u4e0e\u4e1c\u4e9a\u73b0\u4ee3\u6587\u5b66<\/td>\n<td>\u8c22\u743c\u526f\u6559\u6388,\u7f8e\u56fd\u8fbe\u7279\u8305\u65af\u5b66\u9662\u4e9a\u6d32\u793e\u4f1a\u3001\u6587\u5316\u53ca\u8bed\u8a00\u7cfb<br \/>\nA\/P Miya Qiong Xie, Dartmouth College<\/td>\n<\/tr>\n<tr>\n<td>16 Feb 2024<\/td>\n<td>\u4ece\u300a\u82b1\u6728\u5170\u300b(1998) \u5230\u300a\u82b1\u6728\u5170\u300b(2020) : \u5728\u59a5\u534f\u4e2d\u7684\u8fdb\u6b65<\/td>\n<td>\u738b\u5353\u5f02\u6559\u6388, \u7f8e\u56fd\u6c49\u5bc6\u5c14\u987f\u5b66\u9662<br \/>\nProf Zhuoyi Wang, Hamilton College<\/td>\n<\/tr>\n<tr>\n<td>26 Jan 2024<\/td>\n<td>Transpatial Modernity: Chinese Cultural Encounters with Russia via Japan (1880-1930)<\/td>\n<td>Dr Ma Xiaolu, Hong Kong University of Science and Technology<\/td>\n<\/tr>\n<tr>\n<td>19 Jan 2024<\/td>\n<td>\u67f3\u4e9a\u5b50\u4e0e\u665a\u6e05&#8221;\u5973\u754c\u9769\u547d&#8221;<\/td>\n<td>\u590f\u6653\u8679\uff0c\u6cb3\u5357\u5927\u5b66\u8bb2\u5ea7\u6559\u6388<br \/>\nProf Xia Xiaohong, Henan University<\/td>\n<\/tr>\n<tr>\n<td>19 Oct 2023<\/td>\n<td>\u8de8\u7269\u79cd\u865a\u6784\uff1a\u4e0e\u53f0\u6e7e\u4e91\u8c79\u4e00\u8d77\u60f3\u8c61\u706d\u7edd<\/td>\n<td>Dr Huang Dingru, Tufts University<\/td>\n<\/tr>\n<tr>\n<td>10 May 2023<\/td>\n<td>\u53f0\u5317\u3001\u9999\u6e2f\u3001\u65b0\u52a0\u5761 1962\u30011963\u30011964&#8211;\u534e\u8bed\u7535\u5f71\u7684\u7535\u5f71\u795e\u8bdd<\/td>\n<td>\u9648\u709c\u667a\u5148\u751f\uff0c\u524d\u53f0\u5317\u7535\u5f71\u4e2d\u5fc3\u7814\u7a76\u51fa\u7248\u7ec4\u7ec4\u957f<\/td>\n<\/tr>\n<tr>\n<td>27 Apr 2023<\/td>\n<td>Cinema in China prior to WWI<\/td>\n<td>Dr Xu Meimei, Nanjing University<\/td>\n<\/tr>\n<tr>\n<td>16 Mar 2023<\/td>\n<td>\u63a2\u8bbf\u4e1c\u5317\u6587\u827a\uff1a\u5730\u65b9\u611f \u00b7 \u53bb\u5730\u57df\u5316 \u00b7 \u53d9\u4e8b\u65b9\u6cd5<\/td>\n<td>A\/P Song Weijie, Rutgers, The State University of New Jersey<\/td>\n<\/tr>\n<tr>\n<td>17 Feb 2023<\/td>\n<td>Photo Poetics: Chinese Lyricism and Modern Media Culture<\/td>\n<td>Prof Wu Shengqing, Hong Kong University of Science and Technology<\/td>\n<\/tr>\n<tr>\n<td>16 Nov 2022<\/td>\n<td>\u6d77\u5916\u534e\u4eba\u4e0e\u7535\u5f71\u5de5\u4e1a\uff1a\u8521\u6587\u7384\u7814\u7a76 (Migration and Film Industry: Chua Boon Hean in Singapore)<\/td>\n<td>\u53f6\u8212\u745c\u535a\u58eb Dr Yap Soo Ei\uff0c\u56fd\u5927\u4e2d\u6587\u7cfb<\/td>\n<\/tr>\n<tr>\n<td>20 Oct 2022<\/td>\n<td>\u6b4c\u53f0\u4e0e\u62a5\u520a-\u5357\u6d0b\u90fd\u5e02\u6587\u5316\u4f20\u5947<\/td>\n<td>\u82cf\u7ae0\u607a\u5148\u751f\uff0c\u6768\u542f\u9716\u6f6e\u5dde\u6587\u5316\u7814\u7a76\u4e2d\u5fc3\u526f\u4e3b\u5e2d<\/td>\n<\/tr>\n<tr>\n<td>15 Oct 2021<\/td>\n<td>The Stone and the Wireless: Lyrical Media and Bad Models of the Feeling Women<\/td>\n<td>Dr Ma Shaoling, Yale-NUS College<\/td>\n<\/tr>\n<tr>\n<td>18 Oct 2019<\/td>\n<td>\u83ef\u5937\u4e4b\u8b8a: \u83ef\u8a9e\u8a9e\u7cfb\u7814\u7a76\u7684\u65b0\u8996\u754c<\/td>\n<td>\u738b\u5fb7\u5a01\u6559\u6388\uff0c\u54c8\u4f5b\u5927\u5b78<\/td>\n<\/tr>\n<tr>\n<td>23 Sept 2019<\/td>\n<td>Chinese Cinema in Singapore: From the Eyes of<br \/>\nLocal Collectors \u534e\u8bed\u7535\u5f71\u5728\u65b0\u52a0\u5761\uff1a\u6536\u85cf\u5bb6\u7684\u89c6\u89d2<br \/>\n(\u4e0e\u96f2\u8302\u6f6e\u4e2d\u534e\u6587\u5316\u7814\u7a76\u4e2d\u5fc3\u3001<br \/>\n\u4e1c\u5357\u4e9a\u534e\u4eba\u4e0e\u8fd1\u4ee3\u4e2d\u56fd\u7814\u7a76\u7fa4\u8054\u529e<br \/>\nJointly Organized with Wan Boo Sow Research<br \/>\nCentre for Chinese Culture and Southeast Asian<br \/>\nChinese and Modern China Research Group\uff09<\/td>\n<td>\u9ec4\u6c49\u6c11 (\u79c1\u4eba\u6536\u85cf\u5bb6), \u675c\u6c49\u5f6c (\u827a\u672f\u5bb6\u3001<br \/>\n\u7535\u5f71\u7814\u7a76\u5458), \u82cf\u7ae0\u607a (\u7535\u5f71\u7814\u7a76\u5458),<br \/>\n\u6797\u660e\u73e0\u526f\u6559\u6388 (\u7535\u5f71\u7814\u7a76\u5458)<br \/>\nWong Han Min (Private collector),<br \/>\nToh Hun Ping (Video Artist and Film Researcher),<br \/>\nSu Zhangkai (Film Researcher),<br \/>\nA\/P Lim Beng Choo (Film Researcher)<\/td>\n<\/tr>\n<tr>\n<td>6 Sept 2019<\/td>\n<td>\u534e\u8bed\u7535\u5f71\u6b4c\u821e\u7c7b\u578b\u4e0e\u534e\u8bed\u7535\u5f71\u91cc\u7684\u6b4c\u821e<\/td>\n<td>\u9648\u709c\u667a\u5148\u751f\uff0c\u524d\u53f0\u5317\u7535\u5f71\u4e2d\u5fc3\u7814\u7a76\u51fa\u7248\u7ec4\u7ec4\u957f<\/td>\n<\/tr>\n<tr>\n<td>23 Apr 2019<\/td>\n<td>\u4e2d\u5143\u666e\u5ea6\u8207\u76c2\u862d\u76c6\u6703\uff1a\u795e\u6236\u3001\u9999\u6e2f\u3001<br \/>\n\u65b0\u52a0\u5761\u83ef\u50d1\u83ef\u4eba\u6551\u8d16\u5100\u5f0f\u7684\u6bd4\u8f03<br \/>\n(\u4e0e\u4e2d\u56fd\u5b97\u6559\u7814\u7a76\u7fa4\u53ca\u4e1c\u5357\u4e9a\u534e\u4eba<br \/>\n\u4e0e\u8fd1\u4ee3\u4e2d\u56fd\u7814\u7a76\u7fa4\u8054\u529e)<\/td>\n<td>\u8521\u5fd7\u7965\u6559\u6388\uff0c\u9999\u6e2f\u4e2d\u6587\u5927\u5b78\u6b77\u53f2\u7cfb\u6559\u6388<\/td>\n<\/tr>\n<tr>\n<td>15 Apr 2019<\/td>\n<td>\u767d\u86c7\u6232\u66f2\u4e4b\u7e8c\u96c6\u8207\u8b8a\u9ad4\uff1a\u6e05\u4e2d\u8449\u300a\u5f8c\u96f7\u5cf0\u5854\u300b\u50b3\u5947\u7565\u8ad6<br \/>\n(\u4e0e\u53e4\u5178\u6587\u5b66\u4e0e\u601d\u60f3\u7814\u7a76\u7fa4\u8054\u529e)<\/td>\n<td>\u6c6a\u8a69\u73ee\u526f\u6559\u6388\uff0c\u570b\u7acb\u81fa\u7063\u5927\u5b78\u4e2d\u6587\u7cfb\u526f\u6559\u6388\u517c\u570b\u7acb\u81fa\u7063\u5927\u5b78\u526f\u5b78\u52d9\u9577<\/td>\n<\/tr>\n<tr>\n<td>2 Apr 2019<\/td>\n<td>\u51b7\u6230\u6642\u671f\u7684\u6292\u60c5\u50b3\u7d71\u548c\u5730\u57df\u653f\u6cbb&#8211;\u9999\u6e2f\u8abf\u666f\u5dba<br \/>\n\u300c\u5dba\u6885\u8a69\u793e\u300d\u53ca\u5176\u76f8\u95dc\u554f\u984c\u63a2\u8a0e<br \/>\n(\u4e0e\u53e4\u5178\u6587\u5b66\u4e0e\u601d\u60f3\u7814\u7a76\u7fa4\u8054\u529e)<\/td>\n<td>\u9ec3\u7f8e\u5a25\u6559\u6388\uff0c\u53f0\u7063\u5927\u5b78\u53f0\u7063\u6587\u5b78\u7814\u7a76\u6240\u6559\u6388\u517c\u6240\u9577<\/td>\n<\/tr>\n<tr>\n<td>18 Jan 2019<\/td>\n<td>Revolutionary Bodies: Chinese Dance and the Socialist Legacy<\/td>\n<td>Assistant Professor Emily Wilcox, University of Michigan<\/td>\n<\/tr>\n<tr>\n<td>6 Dec 2018<\/td>\n<td>\u4ece\u7535\u61cb\u516c\u53f8\u300a\u661f\u6d32\u8273\u8ff9\u300b\u770b\u661f\u6e2f\u7535\u5f71\u6587\u5316\u73af\u7684\u751f\u6210<br \/>\nRomance in Singapore: A Cinematic Cultural Ring between Hong Kong and Singapore<\/td>\n<td>\u9ea6\u6b23\u6069\u535a\u58eb\uff0c\u9999\u6e2f\u4e2d\u6587\u5927\u5b66\u4e2d\u56fd\u8bed\u8a00\u53ca\u6587\u5b66\u7cfb\u52a9\u7406\u6559\u6388<\/td>\n<\/tr>\n<tr>\n<td>20 Aug 2018<\/td>\n<td>\uff08\u540e\uff09\u9057\u6c11\uff0c\uff08\u65b0\uff09\u6e38\u6c11\uff0c\u4fa0\u4e49\u5fc3\u7406\u5730\u7406<br \/>\n(Post)Loyalists, (New)Wanderers, Chivalric Psychogeography<\/td>\n<td>\u5b8b\u4f1f\u6770\u526f\u6559\u6388\uff0c\u7f57\u683c\u65af\u5927\u5b66<br \/>\nA\/P Weijie Song, Rutgers University<\/td>\n<\/tr>\n<tr>\n<td>9 Mar 2018<\/td>\n<td>\u4e2d\u56fd\u620f\u66f2\u4e0e\u79fb\u6c11\u793e\u4f1a\uff1a\u4ee5\u6fb3\u6d32\u4e3a\u4e2a\u6848<\/td>\n<td>\u6768\u6c38\u5b89\u526f\u6559\u6388\uff0c\u9999\u6e2f\u5927\u5b66\u4e2d\u6587\u5b66\u9662\u540d\u8a89\u526f\u6559\u6388<\/td>\n<\/tr>\n<tr>\n<td>3 Mar 2017<\/td>\n<td>\u8046\u542c\u53f2\u6599\uff1a\u7ca4\u66f2\u7684&#8221;\u5386\u53f2\u4eba\u7c7b\u5b66&#8221;<br \/>\nListening to Historical Sources:<br \/>\nA &#8220;Historical Anthropology&#8221; of<br \/>\nthe Cantonese Operatic Songs<br \/>\n(\u4e0e\u4e1c\u5357\u4e9a\u534e\u4eba\u4e0e\u8fd1\u4ee3\u4e2d\u56fd\u7814\u7a76\u7fa4\u8054\u529e<br \/>\nJointly organised with Southeast Asian<br \/>\nChinese &amp; Modern China Research Group)<\/td>\n<td>\u7a0b\u7f8e\u5b9d\u6559\u6388\uff0c\u9999\u6e2f\u57ce\u5e02\u5927\u5b66\u4e2d\u6587\u53ca\u5386\u53f2\u7cfb<br \/>\nProfessor Cheng Meibao, Department of Chinese and History, City University of Hong Kong<\/td>\n<\/tr>\n<tr>\n<td>14 Oct 2016<\/td>\n<td>(1) \u95f4\u8c0d\u751f\u6daf\uff1a\u53cc\u9762\u4eba\u7684\u5185\u5916\u4e16\u754c<br \/>\nTo Avoid Detection: the Double Life of A Spy<br \/>\n(2) \u8981\u547d\u7684\u8eab\u4f53\uff1a\u4e2d\u56fd\u6297\u6218\u7535\u5f71\u5973\u6027\u5f62\u8c61\u7684\u610f\u4e49\u4e0e\u6f14\u53d8<br \/>\nBodies that can kill: the female body in post-war<br \/>\nChinese Anti-Japanese War movies<\/td>\n<td>\u8c2d\u666f\u8f89\u6559\u6388\uff0c\u9999\u6e2f\u7406\u5de5\u5927\u5b66\u4e2d\u56fd\u6587\u5316\u5b66\u7cfb<br \/>\n\u7956\u8fd0\u8f89\u6559\u6388\uff0c\u65e5\u672c\u5173\u897f\u5b66\u9662\u5927\u5b66\u56fd\u9645\u5b66\u90e8<\/td>\n<\/tr>\n<tr>\n<td>30 May 2016<\/td>\n<td>Literature Across Borders in Cold War China<\/td>\n<td>A\/P Xiaojue Wang\uff0cRutgers University<br \/>\n\u738b\u6653\u73cf\u526f\u6559\u6388\uff0c\u7f8e\u56fd\u7f57\u683c\u65af\u5927\u5b66\u4e9a\u6d32\u8bed\u8a00\u6587\u5316\u7cfb<\/td>\n<\/tr>\n<tr>\n<td>18 Mar 2016<\/td>\n<td>\u6253\u9020\u9a6c\u6765\u4e9a&#8211;\u8bba\u9a6c\u6765\u4e9a\u5236\u7247\u7ec4\u7684\u51b7\u6218\u5f71\u50cf<\/td>\n<td>\u8bb8\u7ef4\u8d24\u535a\u58eb\uff0c\u5357\u6d0b\u7406\u5de5\u5927\u5b66\u4e2d\u6587\u7cfb<\/td>\n<\/tr>\n<tr>\n<td>16 Oct 2015<\/td>\n<td>Voice as Ephemera: Reconstructing a<br \/>\nCulture of Listening in 1970s China<br \/>\n(Jointly organized with Island Society)<\/td>\n<td>Prof Nicole Huang, University of Wisconsin, Madison<br \/>\n\u9ec4\u5fc3\u6751\u6559\u6388\uff0c\u7f8e\u56fd\u5a01\u65af\u5eb7\u661f\u5927\u5b66\u9ea6\u8fea\u900a\u6821\u533a\u4e1c\u4e9a\u8bed\u8a00\u53ca\u6587\u5b66\u7cfb<\/td>\n<\/tr>\n<tr>\n<td>28 Sept 2015<\/td>\n<td>Between Hong Kong and Southeast<br \/>\nAsia: Youlian&#8217;s Cultural<br \/>\nTransnationalism in the Cold War<\/td>\n<td>A\/P Shuang Shen, The Pennsylvania State University<br \/>\n\u6c88\u53cc\u526f\u6559\u6388\uff0c\u7f8e\u56fd\u5bbe\u5915\u6cd5\u5c3c\u4e9a\u5dde\u7acb\u5927\u5b66<\/td>\n<\/tr>\n<tr>\n<td>3 Sept 2015<\/td>\n<td>\u5ea7\u8c08\u4f1a\uff1a\u73b0\u4ee3\u4e2d\u56fd\u5370\u5237\u6587\u5316\u53ca\u5f53\u4ee3<br \/>\n\u7f51\u7edc\u6587\u5b66\u65b9\u9762\u7684\u7814\u7a76<\/td>\n<td>\u8d3a\u9ea6\u6653\u6559\u6388\uff08Professor Michel Hockx\uff09<br \/>\n\u4f26\u6566\u5927\u5b66\u4e9a\u975e\u5b66\u9662\u4e2d\u56fd\u7814\u7a76\u9662\u9662\u957f<\/td>\n<\/tr>\n<tr>\n<td>6 Aug 2015<\/td>\n<td>(1)\u65b0\u52a0\u5761\u56fd\u7acb\u5927\u5b66\u6240\u85cf&#8221;\u5916\u6c5f\u620f&#8221;<br \/>\n\u5267\u672c\u7814\u7a76\u8ba1\u5212\uff1a\u5185\u5bb9\u4e0e\u65b9\u5411<br \/>\nThe Study of Guangdong Han Opera<br \/>\nScripts: Content and Research Interest<br \/>\n(2)\u300a\u56db\u90ce\u63a2\u6bcd\u300b\u7684\u672c\u4e8b\u6765\u6e90\u53ca\u5176\u6545\u4e8b\u53d8\u8fc1<br \/>\nThe Origin and Narratives of the<br \/>\nStory &#8220;Yang Silang Visits His Mother&#8221;<br \/>\n\uff08\u4e0e\u4e1c\u5357\u4e9a\u534e\u4eba\u7814\u7a76\u7fa4\u8054\u529e<br \/>\njointly organized with Southeast Asian<br \/>\nChinese Research Group\uff09<\/td>\n<td>\u5eb7\u4fdd\u6210\u6559\u6388\u3001\u9648\u5fd7\u52c7\u6559\u6388\u3001<br \/>\n\u9648\u71d5\u82b3\u535a\u58eb\uff08\u5e7f\u5dde\u4e2d\u5c71\u5927\u5b66\u4e2d\u6587\u7cfb\uff09<br \/>\nProfessor Kang Baocheng,<br \/>\nProfessor Chen Zhiyong,<br \/>\nDr. Chen Yanfang<br \/>\n(Sun Yat-sen University,<br \/>\nChina, Department of Chinese Studies)<\/td>\n<\/tr>\n<tr>\n<td>6 May 2015<\/td>\n<td>\u9999\u6e2f\u7535\u5f71\u8d44\u6599\u9986\u548c\u534e\u8bed\u7535\u5f71\u7814\u7a76<\/td>\n<td>\u738b\u4e3d\u660e\u5973\u58eb\uff0c<br \/>\n\u9999\u6e2f\u7535\u5f71\u8d44\u6599\u9986\u8282\u76ee\u7b56\u5212\u4e3b\u4efb<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n\n","protected":false},"excerpt":{"rendered":"<p>Print Culture and Popular Culture Research Group Introduction The research group &#8220;Print Culture and Popular Culture&#8221; aims at stimulating discussion and research on the popular and material dimensions of culture, broadly perceived, in the Chinese-speaking world, from late imperial times to the contemporary era. Inspired by both theoretical discussions and a growing international research output [&hellip;]<\/p>\n","protected":false},"author":247,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-269","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/fass.nus.edu.sg\/wbsrc\/wp-json\/wp\/v2\/pages\/269","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fass.nus.edu.sg\/wbsrc\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fass.nus.edu.sg\/wbsrc\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fass.nus.edu.sg\/wbsrc\/wp-json\/wp\/v2\/users\/247"}],"replies":[{"embeddable":true,"href":"https:\/\/fass.nus.edu.sg\/wbsrc\/wp-json\/wp\/v2\/comments?post=269"}],"version-history":[{"count":26,"href":"https:\/\/fass.nus.edu.sg\/wbsrc\/wp-json\/wp\/v2\/pages\/269\/revisions"}],"predecessor-version":[{"id":33696,"href":"https:\/\/fass.nus.edu.sg\/wbsrc\/wp-json\/wp\/v2\/pages\/269\/revisions\/33696"}],"wp:attachment":[{"href":"https:\/\/fass.nus.edu.sg\/wbsrc\/wp-json\/wp\/v2\/media?parent=269"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}