Search Results for: Pejeng

Pejeng Type Bronze Drums and their Possible Role in Early Rice Cults in Bali – a seminar by Dr Ambra Carlo (Wed, 15 October 2008)

Speaker: Dr Ambra Calo
Date: Wednesday, 15 October 2008
Time: 3:30pm – 5:00pm
Venue: AS3, Level 6, SEAS Seminar Room (06-20)

Synopsis
In this seminar we inquire whether bronze drums of the ‘Pejeng’ type played a role in rites associated with rice cultivation in Bali during the early first millenium AD. This would trace to the Metal Age the roots of the subak irrigation system, which is first mentioned in inscriptions dated to the eleventh century AD; the term for irrigated rice fields (sawah) appears as early as the ninth century AD. The role of Pejeng drums in early rice cults is suggested by the fact that the drums are mostly found in the vicinity of sources of irrigation water, whether lakes, springs or weirs in rivers. The shape and decoration of Pejeng drums are paralleled in modern representations of female deities associated with rice and irrigation water. The latter arose from a pre-Hindu substratum and were integrated into the Hindu-Balinese pantheon. Rites devoted to such deities are held today at sources of irrigation water, such as where water first enters fields (bedugul) and crater lakes, the highest sources.

About the speaker
Ambra Calo lives in Bali. Her mother tongue is Italian. She received her BA in Psychology and Non-Western Art History in 1994 from the University of California San Diego (UCSD). While enrolled there, she studies the language and culture of Indonesia at Gadjah Mada University, Yogyakarta. Her MA at the School of Oriental and African Studies, University of London, involved research on Chinese and Southeast Asian bronzes at the British Museum. From 2005 to 2007 she conducted research in Indonesia (Bali, Java, Sulawesi, Tanimbar, and Kei), the northern and central highlands of Vietnam, and Yunna and Guangxi, China. In November 2007 she received her PhD in Archaeology with a dissertation on Transitions of Feather World – The Distribution of Bronze Drums in Early Southeast Asia from SOAS. In the past three years she has excavated at Co Loa, north Vietnam, Ban Non Wat, northeast Thailand, and Pulai Ai, Indonesia.

Recently she studies heritage on the south coast of Lombok, Indonesia, for a tourism and mixed-use project. Her article “Heger I Bronze Drums and the Relationships between the Dian and Dong Son Cultures”, in Interpreting Southeast Asia’s Past: Monument, Image and Text, has just been published by NUS Press.

Love and Betrayal in Balingkang (Friday, 16 November 2018, 7:00pm)

The Department of Southeast Asian Studies presents “Love and Betrayal in Balingkang“, The story of King Sri Jayapangus and his Chinese wife, performed by students of SE3230 Seen and Unseen: Explorations in Balinese Theatre.


Synopsis:

Prembon was first performed in Bali in 1942 and combines some of the quintessential elements of Bali’s most famous theatrical genres – topeng (masked drama), gambuh (classical drama) and arja (sung opera). Prembon performances narrate stories from Balinese history and include dance, singing, narration, drama and comedy. All Prembon performances are accompanied by a full Balinese gamelan ensemble.

The story is taken from the Babad Bali/Dalem – the chronicles of the Kings of Bali. It tells of King Sri Jaya Pangus (1181-1269), ruler of Pejeng (currently a small town near Ubud) who was from the Warmadewa dynasty. He had fallen in love with Kang Ching Wie, the daughter of the Subandar Cina (Chinese port administrator). Their marriage was opposed by the court priest, Begawan Siwagana who believed that Sri Jaya Pangus was going against the rules of the royal house by marrying a non-Hindu non-Balinese. Angered by Sri Jaya Pangus’ stubborn refusal to call off the marriage, he cursed the kingdom with heavy rain and floods. Sri Jaya Pangus decides to leave Pejeng and establish his own kingdom called Balingkang (named after Bali + Kang, his wife’s family name). Despite having been married for a long time, Kang Ching Wie did not produce children and Sri Jaya Pangus decided to meditate and seek help from the gods so his wife could conceive. He travelled up the slopes of the Mountain Batur. It was here that he met Dewi Danu, the goddess of Lake Batur. Sri Jaya Pangus fell in love with Dewi Danu, never telling her about Kang Ching Wie. Dewi Danu had a son with the king whom they named Mayadenawa. Kang Ching Wie waited patiently for her husband to return but he never did. She eventually decided to search for him on Mount Batur. When she found out that he was with Dewi Danu, Kang Ching Wie was devastated. Dewi Danu was angered at the betrayal she felt as Sri Jaya Pangus had never informed her of his wife. In a fit of anger, she made both Sri Jaya Pangus and Kang Ching Wie disappear from the face of the earth. The residents of Balingkang who loved their king and queen, made two giant puppets (barong landing) to remind themselves of their rulers.

Performers: There will be musicians from Bali and dancers accompanying the NUS students in this 2 hour production.

Tickets: Priced at $15 each. They can be bought at the official booth set up along the Central Library Walkway and online via http://bit.ly/balingkang.

Be sure to join us for Singapore’s first ever Prembon performance on Friday 16 November 2018 at 7.00pm at LT13

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