Chang Hou Lon 曾浩伦
Education:
B.A., The Chinese University of Hong Kong, Chinese Language and Literature
Research Interest:
Hong Kong and Macao Literature; Classical Poetry Clubs in Modern and Contemporary China; Chinese Literature and Print Culture
Introduction:
Informed by introspections into my cultural background, my academic journey commenced with exploring Hong Kong and Macao literature. This led me to discover the rich tradition of classical poetry clubs (or literary societies in general) and publication activities within this literary region. My research focuses on regional dynamics in literary production and dissemination, aiming to enrich established Chinese literary narratives and engage in international academic discourse. Furthermore, my teaching experience in Macao ignited my passion for education and pedagogy, highlighting the interplay between teaching and research. In recent years, my commitment to research and teaching has been recognized through awards, including the First Prize in the category of literary criticism at the Youth Literary Award, the Talent Development Scholarship presented by Hong Kong SAR, and several mentoring awards in high school literary contests across Mainland China, Taiwan, Hong Kong, and Macao.
Supervisor: A/P Lam Lap
Thesis Title: A Study of Macao Xue Tang Poetry Club (Tentative)
Founded by Macao local figures Feng Qiuxue and Feng Yinxue, the Xue Tang Poetry Club published four volumes and forty-six issues of “Shisheng - Xue Tang Monthly” between 1915 and 1920, featuring a diverse range of literary genres. With members stemming from the Tongmenghui of China, the club’s literary positioning took on an even more intriguing and thought-provoking nature. This thesis situates the Xue Tang Poetry Society from the context of Macau literature to the broader Lingnan literature, centered around the monthly “Shisheng.” By employing the dual perspectives of literary regions and textual spaces, this study delves into the literary practices and identity constructions within the Xue Tang Poetry Club. Beyond bridging gaps in Macao literature research, this study aims to stimulate reflections on discourses such as “indigeneity” and “post-loyalty,” while also delving into a methodological exploration of regional literature.