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Recording now available: Singapore Heritage Roundtable (11 November 2025)

05 December 2025

As part of the “Celebrating Singapore Studies: Sixty Years of Nationhood” campaign, the Singapore Research Nexus hosted a richly informative Heritage Research Roundtable that featured four National Heritage Board Heritage Research Grant recipients from FASS and brought fresh scholarly light to lesser-known chapters of Singapore’s past. The full video recording is now available here.

Programme

  • Welcome Remarks and Chair: Assoc Prof Jack Meng-Tat Chia (NUS History & Assistant Dean of Research, FASS)
  • Opening Remarks: Ms Melissa May Tan (Director, Heritage Policy & Research, National Heritage Board)

Presentations

  • Dr Yang Yan (Research Fellow, NUS Chinese Studies)

In Their Own Ways: Identification and Documentation of Singapore’s Chinese Medicine

Explores how Singapore’s Chinese medical tradition diverged from mainland TCM, developing distinctive doctrines, diagnostics, and formulae shaped by local climates, migration patterns, and everyday clinical practice.

  • Dr Clay Eaton (Lecturer, NUS Japanese Studies)

Mapping Middle Road: Prewar Japanese Community in Singapore

Reconstructs the vibrant yet largely forgotten “Little Japan” centred on Middle Road – home to merchants, photographers, dentists, schoolchildren, and karayuki-san  – and its place within colonial Singapore’s cosmopolitan society.

  • Dr Jinna Tay (Senior Lecturer, NUS Communications and New Media)

Re-Interpreting Fashion Narratives in Singapore: De-colonising the Modern

Draws on decades of newspaper archives (1950s-1990s) to reveal how fashion became a site where colonial ideas of modernity persisted, and how contemporary research can help deconstruct those inherited frameworks.

  • Asst Prof Guo-Quan Seng (Assistant Professor, NUS History)

Small Businesses and Shops of Chinatown, 1819-1980s

A social history of the modest shophouses and enterprises that formed the backbone of Chinatown’s economy, tracing flows of textiles, rubber, remittances, and credit across regional Chinese networks.

We invite researchers alumni, heritage enthusiasts, and the wider public to watch the recording and discover how NUS FASS scholars are uncovering the diverse, lived textures of Singapore’s past.


Walking Through a Songline

30 October 2025

Walking Through a Songline is an immersive digital experience that introduces visitors to the Seven Sisters Songline, one of the foundational stories of Australian Aboriginal culture. Songlines map the routes taken by Ancestral beings as they travelled across Australia, creating the land and its people. Known also as Dreaming, these narratives are used by Aboriginal communities to hold and transmit important geographical and moral knowledge to new generations. Jointly organised by the Department of History and the National Museum of Australia, this Indigenous-led exhibition is a unique opportunity to experience ancient knowledge in an embodied way. The exhibition runs at NUS Library's 360imx space at Central Library Level 4 from 21 November to 30 January 2026, on Monday to Friday at 1100-1400. Walking Through a Songline is suitable for all ages and open to the public, there is no admission fee. See the exhibition microsite for more details on opening hours and for directions. The Singapore premiere of Walking Through a Songline is supported by the Australian High Commission, Singapore.

Iwan-no-chyu: The origin of the Pleiades

20 January 2025

Once upon a time, there were seven sisters and three brothers. The sisters were very lazy. They played continually from morning to evening. They did not work for their family at all. Meanwhile, the three brothers worked very hard, plowing their fields from early morning to late evening.

The brothers asked their sisters, "Please help us to plow the fields."

The sisters replied, "No, we won't. If we plow the fields, our hands will get dirty. We will never do such dirty work." One brother said, "Don't worry. You can wash your hands with river water." The sisters said, "Oh! How terrifying! We could fall into the river if we washed our hands there." Another brother said, "No problem. It's easy to grab grasses on the riverside so that you would never be swept away." The sisters replied, "Oh! The grasses could cut our hands." Finally the sisters said, "We want to become stars, because they have nothing to do".

The three brothers got so angry that they ran after their seven sisters to catch them. The seven sisters got into a boat and escaped from their brothers. The three brothers got into a boat and chased after them. However, it was hard to catch up with their sisters’ boat, because they had seven rowers. Eventually the seven sisters rowed their boat up into the starlit sky. The three brothers followed them into the sky. When the seven sisters reached to the western sky, a kamui, a god of the Ainu people appeared, in front of the seven sisters and said, "How lazy you are! Halt!" Their boat stopped immediately.

The kamui turned the seven sisters into a group of small, faint stars called “Iwan-no-chyu”, the Pleiades. As punishment for their laziness, the kamui let them rise into the sky when people finished their work in the fields and cold winter approached. The youngest sister was ashamed of herself and covered her face with hands. Therefore, one of seven stars became unable to see. The kamui praised the three brothers for their hard works, and turned them into a straight line of three bright stars, which are the three stars of Orion. 

Traditional poetry of the Ainu people, Hokkaido, Japan.

Compiled by: Kouichi Kitao

Translated by: Ramzey Lundock and Norio Kaifu

Read more about the 'Stars of Asia': https://fumiyoshidaermei.wixsite.com/starsofasia This post is associated with research conducted with the Walking Through a Songline exhibition, running from 21 November to 30 January 2026.

The Cowherd and the Weaving Maid (China)

20 January 2025

The beautiful and charming Weaving Maid (Zhīnǚ 织女) was a servant in the celestial palace of the Queen Mother of the West (Xī Wángmǔ 西王母), where she spent her days weaving.
Meanwhile on earth an amazingly handsome and hardworking Cowherd (Niúláng 牛郎) was miserably lonely. (Cows, it develops, do not make inspiring companions.) His parents had died when he was young, and he lived with his older brother and his brother’s wife, who were both very lazy and treated him as a servant.
It is not clear how the Cowherd came to the attention of the Weaving Maid. Some people say that she and her six sisters came to earth to bath in a refreshing stream, where the Cowherd saw them, was transfixed by their beauty, and picked up the clothes one of them had left on the bank.
When the sisters spotted him, six of them hurried to put on their clothes, turned into doves, and flew back to the realm of the Celestial Mother of the West. But, the Weaving Maid’s clothes were in his hand, and she had to beg to get them back. No-one knows quite how the negotiation proceeded, but by the end the Weaving Maid had fallen completely in love with the Cowherd. So rather than turn to a dove and fly back to the Celestial Mother, she remained in the world of mortals and married the Cowherd, and they even had two children. The Queen Mother of the West seems not to have noticed initially, but when the affair came to her attention, she ordered her troops to abduct the Weaving Maid and escort her back to her celestial loom. The poor Cowherd tried to pursue them, but he had to carry the children, and in any case even a very determined mortal is unlikely to catch up with a force of celestial lictors However the Queen Mother did not want to take chances. Drawing a hairpin from her hair, she blew on it and instantly it turned into a heavenly river, the one we know today as the Milky Way, and it flowed forth between the Weaving Maid and the pursuing Cowherd. Thus the earthly Cowherd and the heavenly Weaving Maid were separated forever, and their children cried piteously to the Queen Mother to reunite them with their mother. The Weaving Maid’s six sisters joined in the plea. Some people say that all nature was so moved by the tragedy, that a flock of magpies (què ) miraculously appeared to form a bridge over the heavenly river, and that this sign of cosmic attention caused the Queen Mother of the West to relent. Others say that she relented because she was merciful, and called the magpies herself. The Queen Mother allowed the lovers (and their children) to be reunited for one night every year, on the 7th night of the 7th lunar month. On that day each year, a flock of magical magpies suddenly appears and forms a bridge over the Milky Way, and the Weaving Maid and the Cowherd meet in the middle. Read more about the Seven Maidens' Festival in Singapore. Source: https://pages.ucsd.edu/~dkjordan/chin/chtales/story211.html  This post is associated with research conducted with the Walking Through a Songline exhibition, running from 21 November to 30 January 2026.